As an operatic soprano, Engelmann harnesses the power of her dynamic and unique voice to create an empowering connection with audiences. The Boston Musical Intelligencer described her as a fairy godmother who “fluttered about the stage… Her giggles and charm won praise of the audience”. Her artistry is characterized by versatility and zest, allowing her to explore a wide range of emotions and stories —from the chilling Deianira in Haunted Palace, a new opera by Sophie Carpenter, to the larger-than-life diva Noémie in Massenet’s Cendrillon.

Engelmann is dedicated to advocating for representation within the arts, particularly for plus-size and disabled performers. Her commitment to this cause fuels her artistic journey, driving her to inspire change and amplify voices to transform the stage. As a performer, she has collaborated with Burlesque Underground, using her platform to challenge conventional beauty standards and celebrate that every body size is worthy of recognition. Engelmann’s dedication to inclusion extends to her work as an arts administrator. She revitalized and directed Physical Graffiti, a hip-hop organization focused on providing a space where individuals of all abilities and experiences can express themselves physically. Under her leadership, the organization earned the distinction of "Most Improved Organization of the Year 2022" from Millikin University. Having become disabled later in life, Engelmann uses her unique perspective to ensure that inclusion is a foundational element in all of her creative and administrative decisions.